Lapis

Articles

Medicine Buddha objects: what are they for?

Statue, thangka, mala, bowl, lamp, incense: the role of each object in a tradition, with no magic promise.

Tibetan gilt bronze
Tibetan gilt bronze · 1300–1500 · Linden-Museum Stuttgart · Daderot

Many objects in the catalogue come from the same world: a statue on an altar, a mala in the hand, a lamp before the image. What is each for, according to tradition?

The statue and the thangka

They are supports: they recall the Buddha’s presence and help visualisation. In Tibetan traditions the statue is often filled with rolled mantras and sacred substances, then consecrated. See choosing a statue and the statues.

The mala

A rosary of 108 beads (or 21 or 27) for counting recitations. Lapis lazuli beads recall the Buddha’s colour; other common materials are wood, bodhi seed or crystal. The malas in the catalogue are sorted by material.

Water offerings

Seven bowls of clear water, lined up before the image, are a classic Tibetan offering. They symbolise hospitality (drinking water, washing water, flowers, incense, light, perfume, food). The water is renewed each morning.

The lamp

Light is at the centre of the sūtra. Butter lamps (or oil lamps) are lit as an offering; Xuanzang’s text speaks of forty-nine lamps for one specific rite. Most practitioners today are content with a flame or a candle.

Incense

It purifies the air and marks the time of practice. In Japan, incense sticks are burned before Yakushi in temples.

The bell and the vajra

The bell (gantā) evokes wisdom and the vajra method: together they are held in the hands of the Tibetan practitioner during certain rites. They are not necessary for a simple practice.

Flags, books, music

Prayer flags carry mantras; books, the sūtra; music, recitations. See books and music.

How to treat them

Tradition asks that they be treated with respect: an image of the Buddha is not placed on the floor or in a dirty place, and one does not step over it. See setting up an altar.

Sources

Common usages of Tibetan, Chinese and Japanese tradition; Raoul Birnbaum, The Healing Buddha (1979). Practices vary from one school to another.

Browse the full catalogue